Anekmantranaadmanjunoopurarvas
Samaajraajhansvanshnivachnaati
Vilolhemvallreevidambichaaruch
Kadaa karishyaseeh maan kripakatakshabhaajnam.
Anklets laced with tiny bells  adorn Shri Shri Radha's glowing feet and tinkle melodiously. Narrating  the enchanting tale of their great good fortune, they resonate with the  sound of several mantras. But the incantations are not the ones  written in shastras and vedas;  they make us ardently long to unite with the realm of passionate love.  Its sound has the distinctive trait of taking dedicated devotees  to Radha, the Godhead in female form. Thus her loving followers, infatuated by her lotus  feet, feel that she controls Krishna with her love and that perfect  spiritual life is unattainable without her grace. 
'Anekmantranaad'   likens the tinkling anklets to a bell, their sweet sound enflames the  desire of the individuated soul for union with God. For sages the melody  is interpreted as the composer of Saamdhvani (chanting verses  of the Saam Veda, one of the three principal vedas or scriptures). But  truly speaking this mellifluous resounding tinkle gives the message  of some romantic episode. It seems as if a herd of flamingos singing  sweetly; detail the grand love-play of Shri Radha-Krishna, which resonates  in all directions. 
Swans are the chief love messengers  of Shri Radha-Krishna.The swan like anklets sounding like the chanting  of several mantras...inform the supreme lover of Priyaji's auspicious  arrival, as he waits expectantly in some nikunja or bower.Aavat  jaat bajavat noopur, soon enough, Krishna the supreme rasika is  startled.  Priyaji walks with her anklets tinkling...making Krishna ardently long to relish  romantic dalliances; his love-struck enigmatic persona gives in to freedom, spontaneity and intense passion. 
So the repository of passion,Krishna,  peeped out of the shrine-like nikunja and... his eagerly desirous  eyes beheld...the beloved coming...her delicate limbs move with some  charming breeze tugging at her heart-strings...Mesmerized, the blue-hued  god adulated Radha with a fixed gaze...The repository of mischievousness adored  her steadily.
'Here she comes, putting to shame an intoxicated elephant's  gait...moving delightedly like a golden creeper...the goddess who reigns  over my heart...the supreme object of my passionate love...my love incarnate,'  exults Krishna...( Shri Radha is the very embodiment of that irresistibly  attractive feminine principle towards whom the masculine power encompassed  in the god is drawn.) The tinkling anklets are not quiet after  the love- message...but chirp spiritedly.
Alluding to the rush of romantic  sentiments,spirited antics and amorous frolics of Shri Radha-Krishna as  they move into the mazes and mysteries of love, the anklets broadcast  their glory with joyous abandon...and the enraptured lover and his beloved  are eagerly desirous to develop an all-consuming intimacy with each  other.('We have two bodies but the soul is identical...I created you  for the sake of joy,' Krishna tells Radha.)
An enchanting melody  constantly brings the frenzied lovers close.  Construed as the musical instrument of love-play, it instinctively absorbs the  skilled lovers in this terrifying rush of love and Shri Radha-Krishna  are helpless. Spurred by a charming breeze, Radha the golden creeper  snuggles in the blue-hued tree's (Krishna) loving arms; delighting his  impassioned form.
The composer makes a prayer,' The one whose tinkling anklets wind around her lotus feet, giving rise to several chantings of mantras (incantations) as if flamingos are singing their glories...whose moving delicate limbs seem like waving golden creepers, living sentient beings...when will Shri Radhika, supremely tender-limbed, and compassionate, our softhearted svamini or devotional ideal...be moved and make me a worthy recipient of her grace or favour?'

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